• Kitsch vs. Classic – Defining the boundaries of high art.

    Kitsch vs. Classic – Defining the boundaries of high art.

    February 25, 2026
  • The Absolute Music Debate – Hanslick, Wagner, and the meaning of sound.

    The Absolute Music Debate – Hanslick, Wagner, and the meaning of sound.

  • The Symphonic Poem – Narrative structures without the need for words.

    The Symphonic Poem – Narrative structures without the need for words.

  • Continuo Practices – The art of the realized bass in the Baroque.

    Continuo Practices – The art of the realized bass in the Baroque.

    Uncategorized
  • The Prepared Piano – Extending the instrument’s reach into percussion.

    The Prepared Piano – Extending the instrument’s reach into percussion.

    Uncategorized
  • Sacred Geometry – The hidden numerology in Josquin’s masses.

    Sacred Geometry – The hidden numerology in Josquin’s masses.

    Uncategorized

  • The Cadenza – Balancing improvisation with compositional integrity.

    February 18, 2026
  • Chamber Music’s Dialogue – The democratic spirit of the String Quartet.

    February 17, 2026
  • The Lied’s Intimacy – Schubert and the elevation of the German poem.

    February 16, 2026
  • The Stradivarius Myth – Science vs. Soul in the world’s finest violins.

    February 15, 2026
  • Microtonality – The spaces between the keys in modern exploration.

    February 14, 2026
  • The Conductors’ Baton – The transition from time-keeper to interpreter.

    February 13, 2026

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