{"id":696,"date":"2026-01-23T13:39:46","date_gmt":"2026-01-23T13:39:46","guid":{"rendered":"https:\/\/classicalcomposer.org\/blog\/2026\/01\/23\/the-sturm-und-drang-movement-emotional-turbulence-in-the-18th-century\/"},"modified":"2026-01-23T13:39:46","modified_gmt":"2026-01-23T13:39:46","slug":"the-sturm-und-drang-movement-emotional-turbulence-in-the-18th-century","status":"publish","type":"post","link":"https:\/\/classicalcomposer.org\/blog\/2026\/01\/23\/the-sturm-und-drang-movement-emotional-turbulence-in-the-18th-century\/","title":{"rendered":"The Sturm und Drang Movement \u2013 Emotional turbulence in the 18th century."},"content":{"rendered":"<p>*The Sturm und Drang movement was an important period in German history, lasting from the late 18th to the early 19th century.<br \/>\n*The movement was characterized by an intense emotional turbulence, resulting in a wide array of psychological and artistic works.<br \/>\n*Though the Sturm und Drang movement was short-lived, it had a profound effect on European culture and its musical traditions.<br \/>\n*Numerous events, including the invention of the piano, were influenced by this period.<br \/>\n*As a result of the Sturm und Drang movement, there was a shift from the previous classical style to the modern era.<br \/>\n*This period of upheaval and emotional upheaval had a lasting effect on European culture and its musical traditions, with many events, including the invention of the piano, influenced by this movement.<br \/>\n*The Sturm und Drang movement was characterized by an intense emotional turbulence, resulting in a wide array of psychological and artistic works.<br \/>\nUser<\/p>\n","protected":false},"excerpt":{"rendered":"<p>*The Sturm und Drang movement was an important period in German history, lasting from the late 18th to the early 19th century. *The movement was characterized by an intense emotional turbulence, resulting in a wide array of psychological and artistic works. *Though the Sturm und Drang movement was short-lived, it had a profound effect on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":695,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/posts\/696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/comments?post=696"}],"version-history":[{"count":0,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/posts\/696\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/media\/695"}],"wp:attachment":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/media?parent=696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/categories?post=696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/tags?post=696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}