{"id":678,"date":"2026-01-20T02:03:22","date_gmt":"2026-01-20T02:03:22","guid":{"rendered":"https:\/\/classicalcomposer.org\/blog\/2026\/01\/20\/patronage-and-power-how-the-medici-and-borgia-shaped-the-renaissance-motet\/"},"modified":"2026-01-20T02:03:22","modified_gmt":"2026-01-20T02:03:22","slug":"patronage-and-power-how-the-medici-and-borgia-shaped-the-renaissance-motet","status":"publish","type":"post","link":"https:\/\/classicalcomposer.org\/blog\/2026\/01\/20\/patronage-and-power-how-the-medici-and-borgia-shaped-the-renaissance-motet\/","title":{"rendered":"Patronage and Power \u2013 How the Medici and Borgia shaped the Renaissance motet."},"content":{"rendered":"<p>Historical Positioning = Intro <\/p>\n<p>Patronage and Power = Sections <\/p>\n<p>Medici and Borgia = Sections <\/p>\n<p>Renaissance Motet = Sections <\/p>\n<p>Patronage and Power = sections<br \/>\nUser<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Historical Positioning = Intro Patronage and Power = Sections Medici and Borgia = Sections Renaissance Motet = Sections Patronage and Power = sections User<\/p>\n","protected":false},"author":1,"featured_media":677,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/posts\/678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/comments?post=678"}],"version-history":[{"count":0,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/posts\/678\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/media\/677"}],"wp:attachment":[{"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/media?parent=678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/categories?post=678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalcomposer.org\/blog\/wp-json\/wp\/v2\/tags?post=678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}